Capturing the metropolitan unease and pulsating life of São Paulo, director Marcelo Caetano's gripping drama zooms in on those who exist on the margins of an constantly evolving metropolis. Fresh out of juvenile prison, 18-year-old Wellington (João Pedro Mariano) finds himself at a crossroads; left behind by his parents, the wide-eyed young man discovers refuge in the arms of others.
On an evening out with his lively group of gay and non-binary friends, Wellington meets Ronaldo (Ricardo Teodoro), a muscular, charming hustler significantly older than his age. Shrouded in the pulsating light of a adult movie theater, their introductory rendezvous is physical and passionate, with an hint of risk. Ronaldo quickly introduces Wellington to the shadowy world of the sex trade and drug dealing.
The film illustrates Wellington’s new life of crime with gentle sympathy instead of as a melodramatic morality play. Now using the alias Baby, he approaches his transactional encounters with brash fearlessness and poignant gullibility. To his patrons, Wellington provides not just his youth and his body, but also fleeting acts of kindness.
In the hectic energy of São Paulo, filled with crowded backstreets and colourful shopfronts, there’s a persistent isolation, as rootless people hold fast to one another for temporary happiness.
"The urban landscape are filled with danger, yet they are where they can discover chosen kin, too."
Ronaldo is at once a romantic interest and a sheltering paternal presence to Wellington, but their relationship is derailed by possessiveness and financial instability. Threats from nefarious characters in the shadow economy pale in comparison to the fear of institutional observation and jail time, epitomized by the looming presence of police officers on patrol.
Baby is most powerful as an astute portrait of the lost people who have been failed by the established structure. The film ultimately serves as a moving exploration into survival, chosen family, and the search for self within a demanding urban landscape.
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